Showing posts with label Standard Hindi. Show all posts
Showing posts with label Standard Hindi. Show all posts

Tuesday 6 November 2012

Try Suggesting children see Bollywood films for value education was bad idea - dailymail


In the beginning, there was Moral Science. Most of us had it as a subject in school. 

We didn't take it seriously because the subject was 'not added', i.e. how you fared in this paper didn't make a jot of difference to your report card.

It was never on a par with maths, English and the sciences. In effect, the education system was telling us: look, we'll teach you how to be good but please don't take it as gospel. 

Moral Science was, at some stage, replaced by something called 'Value Education.' 
The difference was imperceptible. 

The emphasis again was on good habits, respect for elders, and other such succulent nonsense.

We were expected at all times to behave like the Adarsh Balak (the Ideal Child) in the ubiquitous poster.

It scarred an entire generation.

Amit Chaudhuri sang about it recently: "When you are waking up/ You must first wash face at tap/ And do all necessary ablutions./ Then after you are having shower/ You must sit for half an hour/ Preparing for the day's tuition./ Always be meek and mild/ Never be loud and wild/ Once a morning bow your head and pray./ Eat your breakfast happily/ To your grandparents say 'haanji'/ To your parents do 'namastey'./ Your destiny is our concern/ And cause for trepidation/ But hear this song/ You can't go wrong/ With a moral education." 
It seems that the destiny of India's next generation remains a matter of concern. 

The CBSE has revamped the syllabus for Value Education by injecting it with a heavy dose of Bollywood.

Given how the majority of our politicians conduct themselves, I would have thought that most parents would rather that politicians didn't interfere with how we bring up our children. But they have. Let's examine this latest intervention. 

The CBSE has listed 47 films, both old and new, which it feels "highlight social and moral values." 

They include Boot Polish (promotes dignity of labour), Lage Raho Munnabhai (promotes Gandhian philosophy), Lagaan (adds to knowledge of colonial history), and Baghban (problems of old age). 

That we've turned to Hindi cinema for moral guidance is perhaps not a matter of surprise. 
Bollywood plays a primary role in the 'intellectual' life of this country. Bollywood lyricists have been elevated to the stature of public intellectuals. 

Aamir Khan goes about changing lives through his show. So why can't Hindi films provide our kids with a moral centre? The reasons are many. 

For one, it smacks of poverty of the imagination.

Most of the subjects that these films discuss have been written about much more intelligently and entertainingly, and in an equally accessible manner, by our journalists, historians, sociologists, novelists and poets.

I see no reason why some of this extant material is not brought into the curriculum. 
Two, all the films listed are in Hindi. CBSE is a national board. 

We speak in many tongues. I'm not sure if children across the country will be able to follow Hindi dialogue to the extent the CBSE hopes they will. 

Three, children have short attention spans; they relate more to contemporary references.
It might sound like a good idea to a bureaucrat, but try making a class of 14-yearolds sit still and watch Do Ankhen Barah Haath (one of the listed films).

Chances are they'll be bored stiff, and the hapless teacher will end up with a very restless class on her hands. 

Four, if Bollywood had to change anything, it would have changed it by now.
When Charles Dickens' novel Nicholas Nickleby came out, it led to fundamental reforms in the English education system. 

Nothing of the sort has happened with a Hindi film. 

These films are not going to be more effective, simply because they have been made part of the school curriculum.

Five, cinema's job is to entertain. Why thrust the burden of social responsibility on culture? 

A film might slip in the odd message here and there but that's not its primary responsibility.

It looks like the state has abdicated its role and conveniently passed it on to showbiz. Six, commercial Hindi cinema is made to a formula. The idea is to get the box office cash registers ringing. These are simplistic films where good always prevails over evil.

As we all know, real life (especially in India) is much more complex. If you have to show children films, why not show them films that are less idealistic, which have more shades of gray, and which prepare them for the complexities of the real world.

Since the CBSE has lobbed absurdities in our court, surely we can lob some back into theirs. Bollywood can be put to better use. CBSE's list is loaded with patriotic films, from LOC to Mangal Pande. 

We really don't need so much jingoism in 21st century India. Why not use Hindi cinema to teach our kids about the evils of plagiarism. 

Show them a Hollywood film, and then the Indian copy. 

Show them Dev D-it'll teach them about love in the modern world and the pitfalls of drugs. 

Many of this generation will grow up and enter into live-in relationships. 
Show them Wake Up Sid. 

For the nexus between the mafia and politicians, there's Company. When these kids enter adulthood, they'll want to buy a house. Let's show them Khosla Ka Ghosla. 

In the Noughties, I spent a good few years doing public school teaching. There were these two guys who'd come around every morning and go from class to class teaching 'life skills'. 
The boys would laugh behind their backs. There might have been a Christian component to the lessons-one of the duo was an ex junkie and a Born-Again.

I taught Practical Ethics and Moral Philosophy to the senior classes. I used the German philosopher Immanuel Kant to teach the students about altruism and the limits of free will.
I used the Australian philosopher Peter Singer to discuss contentious issues: the concept of equality, capital punishment, abortion, euthanasia, infanticide, climate change. 

Some years later, when I met my former students for a beer, they were still talking about some of these questions, relating them to the world around them.

Any teacher will tell you, there's nothing more heartening than knowing that some of what one taught is permanently embedded in a student's mind.

I used philosophy to teach them to think about the relationship between self and society, right and wrong, means and ends. 

The method was more Socratic dialectic than talking down. For the first time they asked themselves the question: What does it mean to be moral? 

There are ways and ways of adding value to education, of making sure that our children are able to think independently, and without prejudice, about important issues. 

Making them watch LOC is not going to help in this. Whoever thought of this fatuous idea needs a cold shower. Our children deserve better. 


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Sunday 4 November 2012

1920 - Evil Returns - Showtimes

1920 - Evil Returns
‎Horror/ Suspenseful - Hindi ‎
Cast: Aaftab Shivdasani, Tia Bajpai, Vidya Malvade



SYNOPSIS - 1920- Evil Returns

1920- Evil Returns is a 2012 Bollywood horror film written by Vikram Bhatt and directed by Bhushan Patel. The film is a sequel to a 2008 film 1920 and stars Aftab Shivdasani, Tia Bajpai, Sagar Saikia and Vidya Malvade in the lead roles.

1920: Evil Returns is a supernatural thriller which revolves around Jaidev Varma (Aftab Shivdasani), a famous poet who lives the life of a loner as he is unable to meet the love of his life. He stays with his sister Karuna (Vidya Malvade) who is his support system until he meets Smruti (Tia Bajpai), whom he finds near the lake under mysterious circumstances. The story revolves around the mysterious circumstances the three get into that will change their lives. 

Cast & Crew -
Banner -  Bvg Films, Asa Production And Enterprises Pvt. Ltd.
Producer - Vikram Bhatt 
Director - Bhushan Patel
Cast - Vidya Malvade, Aftab Shivdasani, Tia Bajpai
Playback Singer- K.k., Amit Mishra, Sonu Nigam, Mahalakshmi Iyer, Suzanne D'mello
Lyricist - Shakeel Azmi
Story Writer - Amin Hajee, Vikram Bhatt
Screenplay Writer - Amin Hajee, Vikram Bhatt


Showtimes
  • R Deccan City Pride - Pune -  ‎9:15‎  ‎10:45am‎  ‎3:45‎  ‎4:45‎  ‎8:30‎  ‎11:00pm‎
  • Fun Time Multiplex: Sinhagad Road - Pune - ‎11:00am‎  ‎4:00‎  ‎10:45pm‎
  • Fame Jaiganesh Pune (akurdi) - Pune - ‎12:25‎  ‎10:45pm‎
  • Big Cinemas: Kalyaninagar - Pune - ‎1:15‎  ‎8:30pm‎
  • Abhiruchi City Pride: Sinhagad Road - Pune - ‎8:15‎  ‎9:16am‎  ‎12:45‎  ‎2:30‎  ‎7:45‎  ‎9:30‎  ‎10:30pm‎
  • Fame Fun N Shop Pune (fatima Ngr) - Pune - ‎9:20am‎  ‎10:40pm‎
  • Vasant Talkies, S No 598, Budhwar Peth, Pune - ‎4:00‎  ‎7:00pm‎
  • Mangala Cinema, 111, Shivajinagar, Shivaji Nagar, Pune - ‎11:25am‎  ‎7:55pm‎
  • Neelayam Theatre, Shah Colony, S P College, Pune - ‎3:30‎  ‎6:30‎  ‎9:30pm‎
  • Rahul Cinema, P No 3, Shivaji Nagar, Pune - ‎10:00am‎  ‎12:45‎  ‎3:00‎  ‎5:30‎  ‎10:30pm‎
  • Laxminarayan Cinema -- Satara Road, Pune - ‎12:30‎  ‎3:30‎  ‎6:30‎  ‎9:30pm‎
  • Westend Cinema - Camp, Pune  - ‎12:30‎  ‎3:30‎  ‎6:30‎  ‎9:30pm‎
  • Inox: Pune, Plot#D Bund Garden Road, Pune - ‎11:25am‎  ‎7:55pm‎
  • City Pride: Satara Road , City Pride Multiplex, Market Yard, Pune - ‎9:00‎  ‎9:15am‎  ‎1:45‎  ‎4:45‎  ‎6:20‎  ‎10:45‎  ‎10:46pm‎
  • City Pride: Kothrud ,  Sr No 20/2, Kothrud, Pune - ‎10:45‎  ‎11:00am‎  ‎3:45‎  ‎4:00‎  ‎8:30‎  ‎10:45‎  ‎11:00pm‎
  • Vishal E-square: Pimpri ,  Ganatra Hotels Pvt Ltd Ganeshkhind, University Road, Pune - ‎9:00‎  ‎11:15‎  ‎11:30‎  ‎11:45am‎  ‎1:45‎  ‎4:15‎  ‎4:30‎  ‎4:45‎  ‎6:45‎  ‎9:00‎  ‎10:00‎  ‎11:00‎  ‎11:15pm‎


Movie Review--
Not too scary enough to make you jump off your seat

'1920 – Evil Returns' yet again proves that we still have a long way to go in order to attain excellence in making horror films. The films have clear traces of Hollywood classics and how the stereotypical nature of horror films take away the originality from the script.

The movie starts with Smruti (Tia Bajpai) who is forced to stay inbound by the evil spirit who turns things worse for her. Yet again, like every horror film in Bollywood, there is someone who tries to help the victim but her efforts go in vain. In this case it is Smruti’s servant who tries to escape from the situation and makes her meet her lover Jaidev (Aftab Shivdasani).

Both consider each other dead and are living a miserable life without each other. Things take a sudden turn when her lover poet Jaidev finds Smruti near a riverbank. But he is unable to recognize her, yet he takes her home as he feels the connection with her. Smruti too doesn’t recognize him but still decides to be at his mercy at his place. Same old story, can we have something new please??

Nonetheless, moving on, there is Jaidev’s sister Karuna (Vidya Malvade) who doesn’t approve of his kindness on stranger Smruti as she is also warned that she is haunted by an evil spirit by the keeper of the cemetary. Further, Jaidev too consults the cemetary keeper to find out for ways to get her out of the evil’s trap.

We wonder what is it with Vikram Bhatt who is so interested in horror stories that he comes up with them one after another. The story which he wrote along with Amin Hajee hardly has anything new to offer, but yet they went ahead to make a film that plays on stereotypes. Bhushan Patel’s direction was like old wine in a new bottle which unfortunately didn’t taste quite well.

Aftab who got a solo lead after a long time thoroughly disappoints with his performance and shows no effort to get back to winning towards acting with whatever script he had in hand. Comparatively, Tia Bajpai who did a great job in 'Haunted 3D', delivered a decent performance in this one as well. Vidya Malvade and Sharad Kelkar, in their supporting roles are however not up to the mark.

Songs nonetheless are a decent try. Chirantan Bhatt whose composed music for the lyrics penned by Shakeel Azmi, Junaid Wasi and Manoj Yadav have done a good job with the album. With films like 'Skyfall' and 'Luv Shuv Tey Chicken Khurrana' releasing this week, it appears that the journey of '1920: Return of Evil' will be short-lived.


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